Feb 14 2009

Geezerhood, Part Two

So today is my dad’s eighty-first birthday. He says I don’t qualify as a geezer yet: “but not yet in the geezer range” is how he puts it. I must defer to him for a few obvious reasons, but for other obvious reasons I will continue the conceit, if you will (or if you won’t, for that matter). For one thing, I’m finding it increasingly fun to think about the company an aging musician keeps. And, perhaps, the audience an aging musician keeps. You may have noticed that so far this blog’s links to musicians all lead to people over 50. I do say “so far”–after all, it’s SongsForGrownups, not SongsForGrandparents. But really, there must be a reason so many musicians never really retire.

Anyway, one of my father’s accomplishments is a master’s degree in music. He exposed me very early to Charles Ives, Igor Stravinsky, Vaughan-Williams and Aaron Copland, and to John Coltrane and Harry Belafonte. (Mom was there with Glenn Miller, Duke Ellington, Burl Ives, The Beatles, Simon and Garfunkel.) He is also a poet. In the seventies I was moved to put one of his poems to music, which will be my next offering. Purely by coincidence, the lineup is the same as “Aurora’s”, with Gary on tenor this time. The poem is the first in a group that Dad wrote in 1969-70, called “John Trover”. Herewith, by permission of the author, I present them.

John Trover

by Rowell Hoff

1.Trover Dies

Citywalking sharp of edge downtown—
It hurts to touch eyes;
if eyegates were opened would all of us drown,
rushing down-drain to die?

Laserlancet glances, meeting, million their power.
An instant’s too much!
The iron bubble-surface collapses, the sour
selfwomb waters gush.

John Trover, doomed to citywalk all his days
unto his death,
came to love beggars and followed them always.
A beggar never neglects

to greet a passing stranger. After a time
the beggars tired of him.
Wordless, they would take his dime,
turning away their eyes.

After Trover’s death of loneliness,
beggars robbed him.
He’d have been glad for such forgiveness.
Streetsweepers found the body.

2.The Myth of John Trover

Trover tired of pushing a trash of moments up each day
to crash with him sleeping to bottom of the next,
and stopped. Imagine his dismay
to find himself again at the top of sunset falling down nights alone
over and over. He screamed for mercy.

‘You chose to be a stone,’ said Sisyphus,
‘What rights has a stone?’

3. John Trover’s Toy

It danced on a string, golden as the sun;
moreover, it was an astonishing unique machine,
potentially able to —
But Trover let them prick its skin
In exchange for their sending the loneliness away.
Even then the reduced dream
was privately beautiful and useful in small ways.
He used it to measure the passage of years,
secretly planning to put it right with patches
and sometime to inflate it with his breath.
Contemplating it one day,
he let it slip from his hand
to the hard ground.
It won’t run any more
and cannot be repaired.

4. Trover Alone

John Trover was admiring the sunset. He thought
of running to the house to bring the others out.
They wouldn’t come, and it was night already
when he returned.

He sent a letter about it to a friend.
The letter was returned unwritten.

5. Trover Blest

Trover cut open his heart
and gazed at the chambers within
to gauge the extent of his hurt.

A hundred dead bodies were there.
They murmured, ‘It’s you that we love!’
but Trover destroyed them with fire.

In spite of the pain he probed on.
A mirror was hid in the dark.
He cleaned it and prayed for the sun.

He turned to easts and horizons,
followed winds, drowned in oceans,
searched rivers to the source.
He lay in a desert dying. It was then
his mirror caught the light of noon.

This is how Trover was raised from the dead.

It would be nice to come back to these and put the rest to music–who knows?

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After President Obama’s election, my dad and stepmother Carol were the subject of an item in China Daily.  (Oh, I forgot to mention that they live in Hohhot, Inner Mongolia.  It’s in the article.)  I’ll let you read that too, because it tells a bit about them, and indirectly about Dad’s influence on me and my attitudes about the world.

Hope for a better tomorrow

By Patrick Whiteley (China Daily)
Updated: 2008-11-10

Cool to be American again

Eighty-year-old English teacher Rowell Hoff and his wife Carol live in Inner Mongolia and like thousands of US expats, were closely tuned into the elections last week. The couple say they were greatly pleased with the historic outcome because of the ramifications.

Rowell says the election result is a giant step in the development of true equality in the United States.

“Sixty years ago, in any of a large number of states, black citizens were prevented from voting,” he says.

“Even after the partial successes of the civil rights movement in the third quarter of the 20th century, it would have been difficult to imagine that this day would come at any foreseeable time.

“But it has happened now.”

2 3 Next Page

(Just follow the above links to get to the rest.  )



Feb 8 2009

His New Venture

Well, all right. So I guess it’s time to explain, since this is actually the whole point, or at least the proximate cause, of SongsForGrownups in the first place.

I am in the process of building a (very small) recording studio and record label. It’s called Geezer? Records. I hope to have the studio up and running by springtime, and the website soon after.

In the 40-odd years I’ve been playing and writing music, I’ve never made a business of it.  I’ve toured with Baha’i multimedia and musical groups, been in bands and played pick-up gigs and concerts, made the odd money here and there, recorded in fits and starts with bands and solo, but always let the insecurity of it, and life in general, get in the way of “being a pro”.  So now (see first post) I guess it’s bloody well time to make some sort of a go at it.

I have some rough mixes of old stuff which I’ll be sharing with you, some of which I plan to bring forward and finish, and perhaps as a bonus I’ll post “progress report” mixes of selected songs as they, well, progress.  The idea is to share some of the process, and maybe, if I’m brave enough, some of the mistakes.  I hope to hear from you.  I also hope those of you who know me and have heard my music will get some surprises.

My first offering is called Aurora.  (I’m pretty sure the player works now; we’ll be fine-tuning the user-friendlies.)  It’s one of my favorites, and also one of Leslie’s, written in 1974 and recorded in the mid-’80s at Bennett House Studio in Grass Valley, California, with Paul Emery at the board and Buddy Craig at the helm.  Buddy plays electric guitar; soprano sax by Gary Upton; Marty Holland contributed the  incredible bass line, and Bob-I-forget-his-last-name (help, anyone?) supplied percussion and hammered dulcimer.  Enjoy.

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